Barrington Watson’s “50 years of drawing” pleases
By Anthea McGibbon, Content Editor
IT WAS A ROOM FILLED with women - mostly nude.
However, more than just Jamaica’s former prime minister, PJ Patterson was well pleased by the sight of the women filling the room.
Some were sitting, some standing with basket of water, and representing Jamaica’s most cultural habits. In the middle a number of guests milled around in awe, not for a moment disturbed by the work of the artist who considers himself “the female artist”.
It was the recent opening of “50 years of drawing”, on March 23, featuring the drawings of Barrington Watson, at the Gallery Barrington, Old Hope Road recently.
The exhibition whose works were done in varied media including watercolour and pen and pastel, will end at the end of May.
For now they titivate the walls, toying with the passions of viewers.
At the exhibition’s opening it was explained that the youthful wife, Doreen, of the artist who’s going blind to expose drawings which remained hidden for a long time. She simply wanted for more persons to understand the other sides of Watson, more internationally renowned as a master painter’s talent.
Jamaica at Beijing – outstanding in tribute to Jamaica’s athletes is a 6×8 footer in full vibrant colours, highly descriptive of the spirit and achievements of the athletes. Surrounding it are works mostly measuring no more than 35 inches, and are mostly in black and white.
The fascination Watson’s work has demanded over the years, is again stirred by the current “50 years of drawing’. The exhibition adds to the list of his achievements through the years, and outstanding service to Jamaica, speaking again of Watson’s commitment to excellence and imagination in his working method.
Amidst the well figured Jamaican women, there are landscapes and flowers, and sketches of a few selected men, by the artist who mostly shies away from representing men in his work.
The drawings of the women tells tales of a long term affair and fascination through studies of the Jamaican female, - their form, culture, and habits. From “Stone cutters”, “Carnival Spirit series”, “Mother and Child series”, to “Woman with Bucket”, the Jamaican women is well represented
Tending to be quick and strategic, the artist flirts with our imagination of the chosen subjects, as seen in “Study for Beijing series”, “Study for Hibiscus”, “Seated Nude”, and “Woman with Basket”.
The basic mass and form are clearly visible and in full and good perspective and relation to each other. No matter where you are Barrington Watson’s work is identifiable and stands out, as much as the character of the artist was the gist of the messages at the exhibition’s opening.
Keynote speaker, former prime minister PJ Patterson highlighted some of these achievements in what could be described as a colourful speech, which had the guests bent in laughter throughout.
Achievements highlighted include Watson being the first man of colour to have matriculated from the Royal School of Art, London; founder of the Young Commonwealth Artist Association; one of the founders of Contemporary Jamaica art association; and, one of the first teachers at the Jamaica School of Art (now Edna Manley College of the Visual and Performing Arts).
The Attorney-at-Law simultaneously revealed a few blunt secrets about the man he described as a legendary artist, in keeping the over 300 listeners tickled to the bone. He spoke of the confidence of the artist through high school to now, and the painting through which the artist predicted his (Patterson’s) ascendancy to power.
Commending Barrington Watson for having “ascended to the zenith of his profession” he highlighted Watson as one among many accomplishments of the parish of Hanover alongside others such as Governor General Kenneth Hall, Court of Appeal president Seymour Panton, and noted athletes such as Merlene Ottey.
Among the guests were Freddie Green and wife, Marva, Kaye Osbourne, Major Richard Reece and wife, Reece, Lennie Little White, Wallace Campbell, Dr David Mcbean, Dr Hudson Phillips.
Anthea McGibbon, graduate of the Edna Manley College for the Visual has over 12 years experience in journalism and the visual arts, and is CEO of The OAaSIS International. islandartattack@yahoo.co.uk.
EDITOR’S NOTE:
We are currently experiencing technical difficulties uploading photographs. As soon as relating issues are resolved, photographs will be uploaded. Please understand. Thanks in advance and for your continued support.
For more on Jamaica’s art and culture, see also the Gleaner’s art section.