Street Theater #1
I couldn’t get on the board yesterday – some kind of server problem – said I was ‘FORBIDDEN’ – I thought maybe Rob had finally cut me off
Question – if I was the last one to post here, and this is the next one – am I pimping my own thread?
Whatever.
So yesterday morning I saw Shrek off. Sad to see him go, he really wished he could’ve stayed longer. His daily contributions to the local economy will be missed. If Shrek lived here full time I’m sure the Jamaican GDP would tick up a notch.
So it’s just JT, me and the Minnesota Triplets. We went to the Country Western bar last night and had a blast. We drank, ate, sang along, drank, put on cowboy hats, danced, sang, drank, and laughed a lot. It was a really good party.
Tonite – The Warlord is at Root – BOUNTY KILLA! I hope he actually shows up.
One of the things I enjoy most about Negril is the constant street theater that occurs here. And it’s entirely free, right out in the open and there for your enjoyment. The acts that make up Negril street theater are spontaneous. Scenes can break out on a street corner, in a store, on the beach or across the road. The actors are real people. You can walk into a scene or be presented by one at any time. One must always be prepared.
Here’s an example. Walking Hermitage Road up from Dead Man’s Corner you will soon come across a small road-side stand. Bea and I walked the road frequently. The shop is constructed of clapboard, painted bright yellow and rests on concrete blocks. There’s a door up front and a large window on each side. The shop is run by one of the local neighborhood ladies. She sells beer, soft drinks and canned goods and assorted junk foods wrapped in plastic. It’s a typical, albeit tiny, Jamaican road-side stand.
Approaching the stand, we could hear women’s voices raised over a base of loud dancehall music. It sounded like a serious argument with several involved participants was under way. Drawing nearer we saw that there were three women crammed into the small shop. They were engaged in a loud discussion, punctuated with sharp hand movements and peppered liberally with ‘rass’ dis’s and ‘bumba’ dat’s. Until this trip I’d been under the impression that it was only Jamaican men who swore like troopers, but these women proved me wrong. In the cussing department, they were fluent and lacked nothing as far as vocabulary, diction and delivery were concerned.
As we passed the front of the shop the women noticed us and paused in their ‘conversation.’ One of them, the proprietor I assumed, smiled and waved and called out to us. “Come into the shop, get a cold beer,” she said, her voice barely audible over the dance hall music. We waved back, declined the solicitation and continued up the road.
Behind us the ‘argument’ started back up again. Slowly at first and not at the volume it was at prior to our passing by. But by the time we’d walked another twenty paces the three of them were back up to full throat.
They weren’t arguing, they were just having a friendly conversation.
More street theater to come.
Likkle more . . .